Kate Wong is a curator and writer from Vancouver, Canada. She recently completed a curatorial residency with Fogo Island Arts focused on the development of new models for ‘living’ institutions, and was a guest curator for Images Festival 2025, one of North America’s leading presenters of independent film and media art. Wong currently sits on the Board of Directors for Gallery TPW, one of Canada’s longest-running artist-run centres dedicated to lens- and screen-based practices.
Formerly, she was a curator and senior leadership team member at the Museum of Contemporary Art, associate curator at Serpentine Galleries, programme curator at V.O Curations, and director at Sadie Coles HQ. At V.O Curations, she developed a residency-led programme supporting emerging artists and cultural practitioners including Rhea Dillon, Michael and Chiyan Ho, R.I.P. Germain, and Dala Nasser. Holding art as a site for critical discourse and solidarity-building, Wong cultivated a close-knit community of artists, providing an artist-led platform of resources, opportunities, and mentorship during a pivotal early stage in their careers.
Wong’s recent exhibitions and projects include Greater Toronto Art 2024—a triennial survey co-curated with Toleen Touq and Ebony L. Haynes featuring 30 artists, 15 newly commissioned works, an ambitious public programme, and a 320-page catalogue designed with Studio Claus Due—solo exhibitions with Tishan Hsu, Dominique Gonzalez-Foerster, and Sarah Lucas, and Park Nights 2022, a live programme of newly commissioned performances featuring Linton Kwesi Johnson, Caleb Femi, Roscoe Mitchell, and Josiane M.H. Pozi.
Wong’s writing on contemporary art and culture appears regularly in publications including e-flux, frieze, AnOther Magazine, ArtReview, and Yishu Journal. She has contributed essays to recent books including Clay Pop (Rizzoli), Oscar Yi Hou: East of sun, west of moon (James Fuentes Press), and Donald Dahmer by Rhea Dillon (V.O Curations). She has been an invited speaker at institutions including Tate Modern and the V&A Museum, and a guest lecturer and critic at the University of Toronto, Queen’s University, and University of Guelph.